Performing Shostakovich Piano Quintet, Piano Trio No. 2 and Seven Verses, for soprano, violin, cello, and piano, Op. 127 on the Annunciation Concert Series in Baltimore.
Baritone Robin McGinness returns to the S Street Salon by popular demand, joined by cellist Joseph Gotoff and pianist Natalia Kazaryan for an evening centered around Gustav Mahler’s most cherished song cycles. From the restless yearning of Lieder eines fahrenden Gesellen (Songs of a Wayfarer) to the inward reflection of Rückert-Lieder (Songs after Rückert), the program traces Mahler’s vast emotional landscape. Lori Laitman’s The Seed of Dream and Clara Schumann’s lyrical Three Romances for cello and piano add intimacy.
This performance will take place in an intimate salon setting in Dupont Circle and will include a reception with hors d’oeuvres and wine. The exact address will be shared upon ticket purchase.
Official event art by David Plunkert.
The Chestertown Piano Quartet performs works by Pejacevic, Chausson and Caroline Shaw on the 36th Concert Season of Chamber Music on the Hill, in residence at McDaniel College.
The Chestertown Quartet is comprised of faculty from prominent music schools, including: Peabody, Yale and Towson Universities, and is Ensemble-in’-Residence at the Kent Cultural Alliance in Chestertown, MD and are known for performances of diverse repertoire.
Individual Concert Tickets $15-20
Season Tickets $40-$60
Baritone Robin McGinness returns to the S Street Salon by popular demand, joined by cellist Joseph Gotoff and pianist Natalia Kazaryan for an evening centered around Gustav Mahler’s most cherished song cycles. From the restless yearning of Lieder eines fahrenden Gesellen (Songs of a Wayfarer) to the inward reflection of Rückert-Lieder (Songs after Rückert), the program traces Mahler’s vast emotional landscape. Lori Laitman’s The Seed of Dream and Clara Schumann’s lyrical Three Romances for cello and piano add intimacy.
Shostakovich • Piano Quintet
Gershwin • Rhapsody in Blue (piano and string quintet)
Ravel • Mother Goose Suite (string quintet)
Price • Fantasy in G minor for Violin and Piano
The Musicians
James Stern, violin
Hangyul Kim, violin
Dan Zhang, viola
Joseph Gotoff, cello
Christopher Chlumsky, double bass
Teodora Adzharova, piano
I am thrilled to be debuting Cody Forrest’s 2025 cello concerto, “The Self That Was Song,” with the Cape Cod Chamber Orchestra on Sunday, October 5 at 3:00pm.
After being lost for more than 100 years, this lecture recital will rediscover Eleanor Everest Freer’s 1910 settings of Elizabeth Barrett Browning’s monumental poetry collection, The Sonnets from the Portuguese, while comparing them with the musical interpretations of other women of the 20th and 21st centuries such as Gena Branscombe, Libby Larsen, and Juliana Hall.
Towson University faculty join the world-renowned Parker String Quartet for a performance of the Mendelssohn Octet, a perennial fan-favorite of the string chamber music repertoire.
Join us as we tell the whole story of the Pilgrim voyage and native people. This concert was originally scheduled for the 400th anniversary of the Mayflower voyage in 2020.
The event kicks off with a pre-concert talk at 2:15 PM, led by Waban Webquish, an indigenous professional who provides education on the history and traditions of his cultural heritage through guided walks and seminars as well as creates and distributes handmade Wampum jewelry, traditional indigenous items, and culturally sustainable foods. Musician, poet, and Wampanoag artist MaDarrius Maximus will also accompany the pre-concert talk, sharing some of his original work.
Emma Brennan, Mashpee Wampanoag, joins us and perform her original music “Breath of Prayers”. We also welcome back CCCO composer-in-residence Cody Forrest for a world premiere, “Spirit of".
Toru Takemitsu's Toward the Sea (1981) for alto flute, harp, and strings was commissioned by Green Peace for the "Save the Whales" campaign, and features a movement dedicated to Cape Cod. We look forward to featuring Zach Sheets, flute, and Charles Overton, harp. The CCCO concludes this journey with Tchaikovsky’s thrilling Souvenir de Florence.
Performers:
Joseph Gotoff, cello and Wan-Chi Su, piano
Location: Lang Recital Hall, Levine School of Music
The pieces on this program, “Evoking Space and Time,” each speak to the composer’s desire to evoke a characteristic mood, location, or moment in time, and the varying ways this can be conveyed to an audience.
Works by Debussy and Nadia Boulanger, both written in 1915, share a languid, hazy ambiguity that feels essentially French—a natural evolution of the moods evoked in the first and third movements of the darkly Romantic Franck Sonata. Four Cities, by Turkish composer and pianist Fazil Say, instead attempts to capture the feeling of locations, namely, four cities in Turkey.
Pianist Wan-Chi Su has performed as a soloist and chamber musician in Asia, Europe, and throughout the United States. She has played major venues including Weill Recital Hall at Carnegie Hall in New York, Salle Cortot in Paris, and Taiwan National Concert Hall. In her appearance with the Post-Classical Ensemble in the Washington National Cathedral, her solo playing was praised by the American Scholar, “…played with sensitivity and imagination.”
In duo with cellist Ismar Gomes, Dr. Su has toured the United States, giving concerts in Florida, Maryland, Massachusetts, New York, Ohio, Pennsylvania, and Virginia. Additionally, Dr. Su travels for the Piatigorsky Foundation, bringing music to unconventional venues, where there is typically less access to live classical concerts. Dr. Su is sought after for collaborations with venerated musicians, which have included members of the Baltimore Symphony Orchestra, violinist Hebert Greenberg, cellist Michael Kannen, baritone William Sharp, trumpeter Joe Burgstaller, pianists Seth Knopp and Benjamin Pasternack, and others. She has performed in masterclasses for renowned artists, including Leon Fleisher, Richard Goode, and Gil Kalish.
Dr. Su performs a wide range of repertoire, from Baroque, Classical, Romantic, 20TH century to Contemporary. She has premiered music by prominent active composers, such as Curt Cacioppo, William Weigel, and Aaron Malone; she has also enjoyed working with celebrated composers like George Walker, Aaron J. Kernis, Ying-Chen Kao, and others. Steeped in an array of styles, Dr. Su collaborates with dancers at the Peabody Institute (both performing and arranging music) and occasionally plays the organ for local churches. A dedicated educator, Dr. Su currently serves on the piano faculty of the Park School of Baltimore and maintains a private studio.
Decorated with numerous awards, Dr. Su won first prize in the Taiwan Cultural Cup Invitational Piano Competition. On the collegiate level, she won first prize in the Taiwan National Student Music Competition in Piano. She has also been a semi-finalist in the San Jose International Piano Competition, the Art of Duo Competition, and the Liszt-Garrison Duo Competition, and a finalist in the Harrison L. Winter Piano Concerto Competition. Further, she has been invited to numerous international music festivals, including the Taos School of Music, the Beethoven Institute, both the Icicle Creek Piano Festival and the Icicle Creek Chamber Music Festival, the NTSO International Piano Program in Taiwan, and the Paris Piano Program in France.
Born in Kaohsiung, Taiwan, Dr. Su began piano lessons at age four. She earned a bachelor’s degree in piano, minoring in French horn, at the National Kaohsiung Normal University in Taiwan. She holds a Master of Music, a Graduate Performance Diploma, and a Doctor of Musical Arts from the Peabody Institute of the Johns Hopkins University, studying primarily with Seth Knopp and Benjamin Pasternack. Dr. Su currently resides in Baltimore, Maryland, with her husband and cat. In her free time, she enjoys managing her cat’s Instagram account, in addition to taking Pilates class.
Location:
Recital Hall, Towson University Center for the Arts
The pieces on this program, “Evoking Space and Time,” each speak to the composer’s desire to evoke a characteristic mood, location, or moment in time, and the varying ways this can be conveyed to an audience.
Works by Debussy and Nadia Boulanger, both written in 1915, share a languid, hazy ambiguity that feels essentially French—a natural evolution of the moods evoked in the first and third movements of the darkly Romantic Franck Sonata. Four Cities, by Turkish composer and pianist Fazil Say, instead attempts to capture the feeling of locations, namely, four cities in Turkey.
Performers:
Joseph Gotoff, cello and Wan-Chi Su, piano
Tickets at https://tickets.tuboxoffice.com/eventperformances.asp?evt=180
Pianist Wan-Chi Su has performed as a soloist and chamber musician in Asia, Europe, and throughout the United States. She has played major venues including Weill Recital Hall at Carnegie Hall in New York, Salle Cortot in Paris, and Taiwan National Concert Hall. In her appearance with the Post-Classical Ensemble in the Washington National Cathedral, her solo playing was praised by the American Scholar, “…played with sensitivity and imagination.”
In duo with cellist Ismar Gomes, Dr. Su has toured the United States, giving concerts in Florida, Maryland, Massachusetts, New York, Ohio, Pennsylvania, and Virginia. Additionally, Dr. Su travels for the Piatigorsky Foundation, bringing music to unconventional venues, where there is typically less access to live classical concerts. Dr. Su is sought after for collaborations with venerated musicians, which have included members of the Baltimore Symphony Orchestra, violinist Hebert Greenberg, cellist Michael Kannen, baritone William Sharp, trumpeter Joe Burgstaller, pianists Seth Knopp and Benjamin Pasternack, and others. She has performed in masterclasses for renowned artists, including Leon Fleisher, Richard Goode, and Gil Kalish.
Dr. Su performs a wide range of repertoire, from Baroque, Classical, Romantic, 20TH century to Contemporary. She has premiered music by prominent active composers, such as Curt Cacioppo, William Weigel, and Aaron Malone; she has also enjoyed working with celebrated composers like George Walker, Aaron J. Kernis, Ying-Chen Kao, and others. Steeped in an array of styles, Dr. Su collaborates with dancers at the Peabody Institute (both performing and arranging music) and occasionally plays the organ for local churches. A dedicated educator, Dr. Su currently serves on the piano faculty of the Park School of Baltimore and maintains a private studio.
Decorated with numerous awards, Dr. Su won first prize in the Taiwan Cultural Cup Invitational Piano Competition. On the collegiate level, she won first prize in the Taiwan National Student Music Competition in Piano. She has also been a semi-finalist in the San Jose International Piano Competition, the Art of Duo Competition, and the Liszt-Garrison Duo Competition, and a finalist in the Harrison L. Winter Piano Concerto Competition. Further, she has been invited to numerous international music festivals, including the Taos School of Music, the Beethoven Institute, both the Icicle Creek Piano Festival and the Icicle Creek Chamber Music Festival, the NTSO International Piano Program in Taiwan, and the Paris Piano Program in France.
Born in Kaohsiung, Taiwan, Dr. Su began piano lessons at age four. She earned a bachelor’s degree in piano, minoring in French horn, at the National Kaohsiung Normal University in Taiwan. She holds a Master of Music, a Graduate Performance Diploma, and a Doctor of Musical Arts from the Peabody Institute of the Johns Hopkins University, studying primarily with Seth Knopp and Benjamin Pasternack. Dr. Su currently resides in Baltimore, Maryland, with her husband and cat. In her free time, she enjoys managing her cat’s Instagram account, in addition to taking Pilates class.
Performers:
Joseph Gotoff, cello and Wan-Chi Su, piano
Location: Emmanuel Episcopal Church, Baltimore, MD
The pieces on this program, “Evoking Space and Time,” each speak to the composer’s desire to evoke a characteristic mood, location, or moment in time, and the varying ways this can be conveyed to an audience.
Works by Debussy and Nadia Boulanger, both written in 1915, share a languid, hazy ambiguity that feels essentially French—a natural evolution of the moods evoked in the first and third movements of the darkly Romantic Franck Sonata. Four Cities, by Turkish composer and pianist Fazil Say, instead attempts to capture the feeling of locations, namely, four cities in Turkey.
Pianist Wan-Chi Su has performed as a soloist and chamber musician in Asia, Europe, and throughout the United States. She has played major venues including Weill Recital Hall at Carnegie Hall in New York, Salle Cortot in Paris, and Taiwan National Concert Hall. In her appearance with the Post-Classical Ensemble in the Washington National Cathedral, her solo playing was praised by the American Scholar, “…played with sensitivity and imagination.”
In duo with cellist Ismar Gomes, Dr. Su has toured the United States, giving concerts in Florida, Maryland, Massachusetts, New York, Ohio, Pennsylvania, and Virginia. Additionally, Dr. Su travels for the Piatigorsky Foundation, bringing music to unconventional venues, where there is typically less access to live classical concerts. Dr. Su is sought after for collaborations with venerated musicians, which have included members of the Baltimore Symphony Orchestra, violinist Hebert Greenberg, cellist Michael Kannen, baritone William Sharp, trumpeter Joe Burgstaller, pianists Seth Knopp and Benjamin Pasternack, and others. She has performed in masterclasses for renowned artists, including Leon Fleisher, Richard Goode, and Gil Kalish.
Dr. Su performs a wide range of repertoire, from Baroque, Classical, Romantic, 20TH century to Contemporary. She has premiered music by prominent active composers, such as Curt Cacioppo, William Weigel, and Aaron Malone; she has also enjoyed working with celebrated composers like George Walker, Aaron J. Kernis, Ying-Chen Kao, and others. Steeped in an array of styles, Dr. Su collaborates with dancers at the Peabody Institute (both performing and arranging music) and occasionally plays the organ for local churches. A dedicated educator, Dr. Su currently serves on the piano faculty of the Park School of Baltimore and maintains a private studio.
Decorated with numerous awards, Dr. Su won first prize in the Taiwan Cultural Cup Invitational Piano Competition. On the collegiate level, she won first prize in the Taiwan National Student Music Competition in Piano. She has also been a semi-finalist in the San Jose International Piano Competition, the Art of Duo Competition, and the Liszt-Garrison Duo Competition, and a finalist in the Harrison L. Winter Piano Concerto Competition. Further, she has been invited to numerous international music festivals, including the Taos School of Music, the Beethoven Institute, both the Icicle Creek Piano Festival and the Icicle Creek Chamber Music Festival, the NTSO International Piano Program in Taiwan, and the Paris Piano Program in France.
Born in Kaohsiung, Taiwan, Dr. Su began piano lessons at age four. She earned a bachelor’s degree in piano, minoring in French horn, at the National Kaohsiung Normal University in Taiwan. She holds a Master of Music, a Graduate Performance Diploma, and a Doctor of Musical Arts from the Peabody Institute of the Johns Hopkins University, studying primarily with Seth Knopp and Benjamin Pasternack. Dr. Su currently resides in Baltimore, Maryland, with her husband and cat. In her free time, she enjoys managing her cat’s Instagram account, in addition to taking Pilates class.
